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Computational and Digital Approaches to Music Scholarship

Book

Copyright © 2024

by Ana Llorens

Quantifying recorded sound: Computational analysis and clustering techniques on Pau Casals’ legacy

by Emily Hansell Clark

Musical Difference: Computational and Postcolonial Perspectives

by Silke Reich

A workshop report from the Korngold-Werkausgabe: Challenges of a hybrid film music edition

by Miriam Akkermann

From computer-aided to automatic compositions? A closer look at generative music systems

by Lara Pearson

Multimodality in Karnatak music: Combining ethnographic, music-analytical and computational approaches

by Tejaswinee Kelkar

Studying melodic embodiment: computational approaches

by Martha E. Thomae

MIR for Early Music Documents: Technologies behind the Semi-Automatic Encoding of Mensural Sources into Symbolic Scores

by Elena Minetti

From analogue to digital in correspondences research: tracing the potential of encoding letters within the Henze-digital project

by Elsa De Luca

Encoding Early Music: The Challenges and Beauty of Neumatic Music Scripts

by Stefanie Acquavella-Rauch

Exploring Music Creativity: Digital Annotation and the Role of Knowledge Hierarchies

by Claire Arthur

Computational Modeling of Pop Music Structures: Searching for Magical (and Maddening) Musical Moments

by Anja Volk

Musical pattern discovery: a dialogue between Music Information Retrieval, Musicology and Music Therapy